Read, Eat, Drink: Why We Can’t Read Anymore and a Mother’s Day Menu

Read:

Hugh McGuire on reading

Do you read books anymore? I mean real, whole, chapter-by-chapter books? When was the last time you sat down with a book and read for an hour straight, without stopping to check your phone for a text or email, or taking a break to look up something on your tablet?

It turns out that online reading–emails, social media updates, articles, even this blog post–is stunting our ability to maintain our focus long enough to read whole chapters at a time in a book. As Hugh McGuire writes in this Medium article on Why We Can’t Read Anymore, which I love so much I want to quote it for days and weeks until people ask me to please shut up:

It turns out that digital devices and software are finely tuned to train us to pay attention to them, no matter what else we should be doing. The mechanism, borne out by recent neuroscience studies, is something like this:

New information creates a rush of dopamine to the brain, a neurotransmitter that makes you feel good.
The promise of new information compels your brain to seek out that dopamine rush.
With fMRIs, you can see the brain’s pleasure centres light up with activity when new emails arrive.

So, every new email you get gives you a little flood of dopamine. Every little flood of dopamine reinforces your brain’s memory that checking email gives a flood of dopamine. And our brains are programmed to seek out things that will give us little floods of dopamine. Further, these patterns of behaviour start creating neural pathways, so that they become unconscious habits: Work on something important, brain itch, check email, dopamine, refresh, dopamine, check Twitter, dopamine, back to work. Over and over, and each time the habit becomes more ingrained in the actual structures of our brains.

How can books compete?

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Should You Self-Publish or Traditionally Publish? The One Thing That Matters.

 

self publishing vs traditional publishing

When you work in a coaching role like literary agents do, you tend to get a lot of the same questions. This is one of the big ones.

So, in the interest of efficiency, let’s hash it out right here. Should you self-publish or traditionally publish?

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Twitter vs. Facebook vs. Pinterest vs. Instagram: What’s Right for Authors?

best social media for authors

There is a grand battle royale going down between social media networks, and writers and bloggers are caught in the middle of it. The boundaries are constantly shifting, the pros and cons of each platform are always changing, and no one ever seems to be able to decide where in the heck they should be.

So, which social media networks should you be on? Where can you get the best bang for your social media buck?  I get this question all the time, and like the Twitter-specific question from last week, the answer is complicated. Because really, choosing a network depends on what kind of writer or blogger you are and what areas of your author platform you need to bolster.

The one thing that applies to everyone? You can’t (and shouldn’t) build your numbers on all of them. You will drive yourself straight loony-tunes if you try to keep up with all of them, and your social media campaign will be less effective if it’s not focused. It’s worth it to find your social media soulmate–that one platform that will not only grow your platform but also be actually enjoyable!

Ready to choose? Here are the candidates:

  • Facebook: The big kahuna. I’m still of the belief that every single writer should have a professional Facebook page, and this is for one simple reason: sheer numbers. Facebook has 1.35 billion monthly active users. The other networks lag far behind—Instagram has an estimated 300 million users, Twitter has an estimated 288 million users, and Pinterest has about 70 million users. Facebook is still where everyone and their grandma is, and even though it’s been changing its algorithm to limit the reach of posts (more on the changes to Facebook’s algorithm and what it means for authors here), it’s still the best place to reach the most people. Facebook also allows you to integrate all mediums–text with no character limits, images, videos, GIFS, etc–so it can work for you no matter what your strengths are. I consider a professional Facebook page to be one of the foundational elements of building a platform.

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Why Twitter Might Not Be Right For You as an Author

Twitter for authors

In the past few weeks, I’ve been getting a lot of questions from aspiring authors about Twitter. Everyone seems to want to know if they should be on it, why I like it so much, and whether they should focus more of their own book marketing efforts on it.

Well, like everything else in this age of digital marketing, the answers to those questions are a bit complex. So I’ll just go ahead and tell you why I love Twitter, and why I think it’s not right for all authors.

Many of my readers are nonfiction writers/bloggers rather than fiction writers. And there’s an important distinction there: practical nonfiction is often highly illustrated (with four-color photos), while fiction is almost always straight narrative (with black-and-white text). Why does this matter when it comes to social media? Am I just being picky for fun? Are all literary agents out to befuddle writers and make social media even more confusing?

I hope you’re thinking no to those questions. Right? Right?

Right! So the format of your future book really does matter when it comes to social media. For practical nonfiction writers/bloggers, your aesthetic is your brand. The design of your online properties, the images you include in your posts, and the images you curate and share on social media are all part of your brand. Practical nonfiction is inherently image-driven, and therefore, it’s best suited for image-driven platforms like Pinterest, Instagram, and Facebook. (I’ll write more about the distinctions between these platforms next week.)

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