The One Piece of Advice I Give Every Single Aspiring Author

literary agent advice for writers to get published

But first, the book publishing stories worth reading this week:

Your Biggest Book Marketing or Platform Building Roadblocks – And How to Overcome Them (The Book Designer): This is a wonderfully detailed guide that tackles the 5 biggest obstacles writers face when trying to get their books out into the world. If you’re having trouble reaching your “dream readers,” feel like you don’t have enough time or money for a platform, or are struggling to see engagement on your platform, this is a great place to start.

J.K. Rowling posts letters of rejection on Twitter to help budding authors (The Guardian): “When she pitched under the name Galbraith without revealing her true identity, she faced many more snubs. Since then, Galbraith has published three successful novels but the first was rejected by several publishers, and Rowling was even advised to take a writing course.”

The Art of Influence: Who’s an Influencer, Who’s an Endorser, and How Do I Talk to Them? (Chadwick Cannon): “People don’t trust brands. They rarely trust strangers. But they do trust familiar people.”

The Charming Doodles Charles Darwin’s Children Left All Over the Manuscript of ‘On the Origin of Species’ (Brain Pickings): “In contemplating family, work, and happiness, Charles Darwin proclaimed: ‘Children are one’s greatest happiness, but often & often a still greater misery. A man of science ought to have none.’ And yet he and Emma had ten.”

Relevant (Literary Agent Donald Maass on Writer Unboxed): “Being relevant is not the same as being topical. Nor is it the same as being resonant. Topical stories have the quality of being current, ripped out of the headlines, a take on what is happening right now. Resonant stories are less immediate. They echo in the mind. They cause us to reflect and ponder. ”

The One Piece of Advice I Give Every Single Aspiring Author

The weather is gorgeous here in DC, submissions to publishers are in full swing, and the spring publishing season is chockfull of wonderful books. (Try this gorgeous cookbook, or this personal favorite.)

And today I’m on Kirsten Oliphant’s podcast, Create If Writing, chatting about everything from how the traditional publishing process works to what I look for when signing clients. Kirsten is incredibly savvy and hard-working–she writes books, hosts a podcast, leads online courses, and writes a blog, all while being a mom and wife. I actually think she may be the Beyoncé of our little writing blog community. All signs point to yes.

We were able to get in deep and talk about some of the most important topics that plague aspiring writers today:

  • How to get excited about building a platform (even when you really, really don’t want to)
  • Why you don’t need to be a used car salesman for your book
  • What a typical day in the life of a Literary Agent looks like (spoiler alert: a lot less glamor than you’d think)
  • How to avoid a lie-awake-at-night-in-fear book launch
  • How focusing on your own personal development can also help you in your writing career
  • Why you should buy your name as a domain (and how I failed at this)
  • The one piece of advice I give to every single aspiring author

Click here to listen to the full interview!

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How to get a literary agent–4 things that impress an agent

How to get a literary agent–a literary agent shares the 4 things that most impress agents and publishers. Learn how to get a literary agent directly from a literary agent!


I started out in publishing as an editor at a book publisher. And about once a week, I would get rejected. Our acquisitions meetings were on Thursday afternoon, and I’d spend much of that morning preparing a pitch for why everyone should get excited about the book I was excited about.

The meetings would go something like this:

Me: !!!!

Everyone Else: …..

Me: !!!!!!!

Everyone Else: ????

Me: !!!!?

Everyone Else: No.

how to get a literary agent

Doesn’t it suck to have your excitement be met with apathy? I know it’s something writers struggle with every day, and it’s a thing agents and editors have to battle through, too.

But after some comically sad flops, I finally figured out what I needed to say so that the publishing executives would pay attention to the books I wanted to acquire. And now that I’m a literary agent, I’ve realized that the same key elements make me excited about representing an author. So when aspiring authors ask about how to get a literary agent, here’s what I tell them:

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