But first, the stories worth reading this week:
The Truth About The New York Times and Wall Street Journal Bestseller Lists (Tim Grahl on The Observer): “If you’re a nonfiction author, and particularly if you write business books, bestseller lists mean more speaking gigs, higher consulting rates, higher visibility, and an enhanced reputation. They also mean more sales.”
How to Format a Book Proposal (Chad R. Allen): “So what’s your concept? Is it unique somehow? Does it meet an actual need people have? What’s your ability to help us move books when it’s published? What’s your promotion plan? Are you a good writer? Do your words grab us? Would a reader rather read your book than go to a movie?”
10 Bookish Feelings We Need English Words For ASAP (Sharanya Sharma for BookRiot): “…that got me thinking of other ‘untranslatable’ feelings and situations, some of which you can find words for in other languages. Words like tsundoku, a Japanese word that roughly means: ‘Leaving a book unread after buying it.’ (I am so very guilty of this. Sigh.)”
How to Find and Work With a Book Publicist—Successfully (Jane Friedman):”…even though you’re hiring a publicist, all authors have to be willing to learn how to market their book. Good marketing and publicity is a team effort, and the author is part of that team.”
Altered Tastes: Can the New Science of Neurogastronomy–and One Very Creative Chef–Convince Us That Healthy Food is Delicious? (Maria Konnikova for The New Republic): “Control flavor and you control what we eat—and perhaps, given time and more research, begin fighting the global nutrition problems that are a direct result of the industrialized production of food.”
What If I’m Too Introverted for Platform Building and Book Marketing?
Last week I had a reader bring up two fantastic questions: How can writers who are shy build a following? And how can fiction writers help people with their work? (Thank you, Carolyn!)
Since these are two big topics, I’m going to tackle the first question today and leave the second one for next week. If you don’t want to miss next week’s post on platform-building for fiction writers, sign up to have posts come to you through the “subscribe” box on your right!
So, let’s talk about how introverted types can tackle platform-building and book marketing. What if the very thought of interacting with strangers (whether online or in real life) makes you queasy? What if it grates on your sense of identity to put yourself out there for anyone to see? What if you were always the kid with your nose in a book during lunchtime, not the one drawing a crowd of admirers with your stories?
Well, here’s a secret. Most bestselling authors are introverted, too. The majority of my authors would describe themselves as private, shy, or introverted. (Even Ree Drummond admits she’s a true homebody and would be happy never leaving her ranch!) In fact, most book people—agents, editors, booksellers—are introverts. That’s why we all came to books in the first place: we were the kids who would rather read a book than make conversation.
So we’ve all had to do battle with our introvert impulses. When I first started in publishing I was terrified—terrified—of presenting a book in front of the acquisitions committee. I loved the book so much, and the thought of laying that love bare in front of a big group of people so they could pick it apart and decide whether it was any good kept me up at night. But I did it, and I kept doing it and doing it, because I had to—it was just part of my job. Eventually, I started to see those meetings as fascinating and as a great opportunity for me to learn the skills I inevitably needed to advocate for the authors I loved.
My first agent lunch as an editor? Same thing: dread, nervousness, fear. My first editor lunch as an agent? Still scared. Even my first post on this blog: complete and utter fear that people would—gasp!—find it and read it. Putting ourselves out there makes us introverts absolutely loony tunes.
But what did I learn from all of this forced-because-it’s-my-job socialization? That those moments of talking to editors, writers, committees, and conference attendees are my most rewarding moments. I dread them going into it, but after I feel a deep, warm glow of happiness and excitement.
Because when it comes down to it, we as humans are hardwired for connection. We may not have the personality types to naturally enjoy speaking to large crowds, but when we focus on talking to one interesting person about one interesting topic, we light up.
Platform-building is about just that: finding our people and talking to them about our shared interests. Yet it’s easy to lose sight of that and let fear take hold.
I’ve had many authors share their struggles and fears about platform-building and marketing with me, and eventually I started to see the same patterns of thought that were holding them back. And I saw these patterns in my own life, too! But after seeing so many introverted writers and bloggers succeed, I realized there are certain ways we can help ourselves rethink what it means to build a platform and market a book. These tips have been helpful to both my authors and myself, and while everyone is different, I hope you find them useful!
