A 1-minute exercise to help you stop procrastinating

How to stop procrastinating and write: with this easy, 1 minute exercise you can overcome procrastination, stop struggling to start writing, and finally just start writing without stopping.


It’s like carrying a goat on your shoulders. Have you ever seen someone sling a full-grown goat over their shoulders?

(Maybe not, but let’s use our imaginations here.)

It weighs them down and pushes their head toward the ground and makes them generally wish it weren’t there.

That’s how I think of big projects I’m procrastinating on. Everything’s going dandy and then—bam—I remember I have to write something big tomorrow or finally face editing a tricky section of a proposal. It’s a bummer. Not because I don’t like the work of writing and editing (I love it), but because the anticipation makes me anxious, and every time I wonder if I’ll be able to actually do that writing and editing and do it well.

Instead, I’m tempted to distract myself with the easy stuff: emails, phone calls, contracts, and whatever else is less intimidating. And that goat of a project keeps weighing me down subconsciously, bleating to be done and generally stressing me out with how difficult it seems.

All procrastination is fear

Steven Pressfield calls this burden “resistance” in The War of Art. It’s resistance to start the difficult work. Elizabeth Gilbert said “All procrastination is fear” in Big Magic, and I don’t think I’ve ever underlined a sentence in a book so many times. We’ve all felt it, and every writer I’ve ever worked with has struggled with it at one time or another.

But what are we really afraid of? I’ve heard every fear you can think of from writers and bloggers, and here’s just a little sampling from the cornucopia:

Fear of not being able to stay focused. Fear of giving up and escaping to something easy instead. Fear of never finishing that book. Fear of it not selling. Fear of no one caring. Fear of having lost the magic that allowed us to write last time. Fear of being untalented. (But talent is a myth, and here’s why.)

Essentially, fear of it being hard—really, really hard.

But over the years, I’ve learned a few techniques from my authors and from plain ol’ trial and error that has taken the wind out of my procrastination sails. Now, I feel anxious if I procrastinate at all, and I try to do the hardest things first thing in the morning, when I can.

easy stop procrastinating writing

How can we stop procrastinating and finally write?

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Why talent is a myth, and the 3 things you actually need to be a bestseller

Why writing talent is a myth, and the 3 things that can actually help you become a bestselling author.


I was scrolling through my Instagram feed on Monday when something stopped me:

“I’m afraid I’m not talented enough.”

It was a caption on a pretty photo of a journal, and it was by a young writer who wasn’t sure she should keep going.

I could almost picture the real scene. The paralysis and anxiety about opening her manuscript. The embarrassment and self-criticism over what she’d written already. The fear that it was all for nothing. The escape to social media so she wouldn’t have to face those hard feelings.

I know it all, because I’ve been there, too. Who wouldn’t rather watch panda videos instead of doing the hard work? (She says as she Googles for panda videos…)

But anyone who’s ever written anything, from a novel to a blog post to a pitch letter, has had those same sinking feelings.

What if we don’t have what it takes? What if we’re not talented?

This nagging fear crops up everywhere, and it makes us wonder if, no matter how much effort we put in, we’ll just never be any good. We say we want to write, but then life gets in the way. Yet if we’re honest with ourselves, what’s really keeping us from writing?

It’s us. Our own fear.

The fear that we’re not talented enough.

how to become a bestselling author

But here’s what I’ve come to realize, after nearly a decade of working with writers and successful authors: that person who seems “talented”? They just have more experience.

It may seem like talented is a natural state for some, but that’s because all we see is the output of today and not the inputs of their entire lives. It’s a totally bogus construct. Most likely, that person began paying attention to writing before you, or maybe, through luck and circumstance, they have more time each day to pay attention to writing. They’ve simply accrued more hours on their experience meter, or they’ve had higher quality inputs. They’re not innately “better” than you–I promise!

What do I mean by inputs? I know we’re not machines, but I’ve always found it helpful to think of the creative mind like a container, one which has both inputs and outputs.

The output—the quality of your work—can only be made with the inputs that already exist in the container. Inputs can be anything. A creative mind is like a sponge, and it sops up anything and everything it finds interesting, even if it has no immediate use for it.

Inputs can be:

  • Books
  • Magazines
  • Art
  • Music
  • TV shows
  • Advice
  • Classes
  • Research
  • Nature
  • Conversations

See? Anything. But the key is:

The more high-quality inputs you have, the higher-quality your output is.

If you started reading The New Yorker at 7, you will be a better writer than most people, simply because you’ve absorbed the cadences of good writing. If you’re reading US Weekly and corporate memos most days, your inputs are mucking up your mind, and you may have to unlearn some bad cadences and turns of phrase.

Since we can’t see most people’s inputs, we assume their superior output is coming from someplace else: their talent. Instead, it’s coming from their superior inputs.

Which, trust me, is great news: it means all you have to do to up your game is fill yourself with the best writing, reading, and other inputs you can.

But fears are like whack-a-mole. You finally stop worrying about whether you’re talented, and then you start worrying about whether you’re self-disciplined enough. Or smart enough. Or clever enough. Or literally [any adjective] enough. Instead, we need to unplug the game and go get a drink at the bar. Um, I mean…stop letting the moles run the show.

That’s what separates bestselling authors from struggling authors. They know that the fears will always be there, but they don’t let them run the show.

Instead, bestselling authors have 3 deep beliefs about themselves and the world that make them completely unstoppable.

That’s why I believe that part of the work of being a writer, blogger, or creative of any kind is character-building. Without methodically developing these 3 beliefs, just like you methodically develop your writing or photos, you can only go so far.

Here are the 3 beliefs that separate bestselling authors from the rest:

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How to waste time in a way that makes you more creative

3 ways to flex your creativity and stretch your brain, even if you don’t have energy to read or write.

“I am SO tired.”

I had just finished working, and I was collapsed on the couch, feeling dazed from staring at the screen all day. We had dinner to make, laundry to do, a million to-dos still pending from the work day, and all Jarrett and I wanted to do was zone out in front of the TV.

So we did just that. We poured some wine, scrambled some eggs for dinner, and planted ourselves onto the couch to watch House Hunters. (Have you seen Tiny House Hunters? I’m in love!)

But that feeling of guilt, that I was “wasting” time when I should have been reading the millions of books on my TBR list or writing my next piece? It wasn’t there.

In fact, I waste time like this every week. Even though I work on books about productivity, creativity, and personal growth, I totally veg out sometimes.

And that’s okay.

In fact, science shows that you’re at your most creative when you’re tired at the end of the day. So wasting time—either by doing nothing at all or doing something not goal-oriented–will actually make you more likely to make novel connections between things and to refresh your perspective for the next day.

And you don’t have to feel guilty about it. Because isn’t that the double-edged sword? We feel guilty when we “waste” our time going down rabbit holes online or channel surfing, but we also feel unhappy and exhausted when we pack every minute of our days with useful, productive things.

The reality is: even those things we think of as time-wasters are incredible for our creativity and learning, as long as we’re engaging in them the right way. What’s the right way? More on that below!

3 ways to transform your time-wasting tasks into creative rocket fuel

(even if you don’t have energy to read or write)

how to be more creative anytime

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6 mindfulness practices to relax into your work

It’s 77 degrees in Alexandria today. (What?!)

Spring is popping up in every corner, and Pepper has had more long walks this past week than she knows what to do with. She loves to chase squirrel trails (which I’m convinced she’s just pretending to pick up on so that she can go berserk), and she runs so fast that she practically drags my lazy butt down the running path.

mindfulness practices for writers

But it feels so good to finally be entering into spring—I love that feeling of both new energy and slow growth. It’s equal parts raring-to-go and stop-and-sniff-the-flowers (or be dragged away from the flowers by your embarrassingly athletic dog).

Isn’t that the same balance we strive to keep in our work? Excited and energetic, yet still calm, composed, and present. Which isn’t easy for writers—I think nearly every writer or blogger would own up to being neurotic or perfectionistic or overachievers or wound a little too tight in one way or another. (I think their agent might be guilty of this, too. Ahem.)

So today I’m sharing 6 mindfulness practices that can help bring a little more zen into your day-to-day work. I think we’re all guilty sometimes of being so results-oriented and efficiency-driven that we completely forget that we actually like doing this work that’s in front of us.

I know that happens to me all the time! Half the time that I’m editing proposals or answering emails my shoulders are so tense and my jaw so clenched that it feels like I’m shouldering through some sort of terrible trial. But in reality, I love editing proposals, and I love chatting on email with my authors. With just a few calming breaths and some of these mindfulness practices, I’m reminded that I love this work I do and that it’s okay to relax and enjoy it.

Maybe the same thing happens to you?

You sit down to write and find yourself so pressured by the ticking clock or the word count or your own expectations that your whole body tenses up?

Or maybe you find yourself knotted into a ball of stress as you’re drafting query letters, or writing social media posts, or responding to email?

If so, head on over and read this article on The Kitchn!

It’s framed around work in the kitchen, but these practices can just as easily be applied to showing up at your computer to write or facing a stack of pages to edit.

I hope it’s a little reminder in the middle of your week that, once we learn to relax into our tasks, anything can become the soothing and meaningful experience we search for in meditation and yoga. So for those of you who show up to a manuscript or a computer or a kitchen every day, remember to breathe, feeling deep gratitude for this moment, right here, right now, with this work.

Mindfulness Practices for writers


What I’m Reading This Week

Ready to Learn How to Write With Purpose? (Kristen Kieffer of Well-Storied): Since we’re chatting about being purposeful today, it was perfect timing that Kristen released this free 46-page workbook! Aren’t we all trying to bridge the gap between what our ideal workday looks like and our actual habits? If you’re nodding “yes” along with me, then this is a great resource to help you take a few more steps toward getting it right.

The Why of Urgent Vs. Important (Seth Godin): “The reason we go for urgent is that it makes us feel competent. We’re good at it. We didn’t used to be, but we are now. Important, on the other hand, is fraught with fear, with uncertainty and with the risk of failure. Now that you know why, you can dance with it.”

Remember Chutes and Ladders? Book Publishing is Just Like the Game (Emily Wenstrom on The Write Life): This is a great inside look at how to speed up (or slow down) your journey toward reaching your publishing goals. And yes! Be bold and chase down any leads, always staying professional along the way.

Why Facts Don’t Change Our Minds (Elizabeth Kolbert for The New Yorker): “People believe that they know way more than they actually do. What allows us to persist in this belief is other people. In the case of my toilet, someone else designed it so that I can operate it easily. This is something humans are very good at. We’ve been relying on one another’s expertise ever since we figured out how to hunt together, which was probably a key development in our evolutionary history. So well do we collaborate, Sloman and Fernbach argue, that we can hardly tell where our own understanding ends and others’ begins.”

12 Tips for Pitching Articles to Publications and Websites (Dianne Jacob): Essential tips for pitching to both online and print outlets! Make sure you scan through these before starting in on pitching a piece.


What We’re Eating This Week

Another week without traveling for work means lots of fun things to cook! And would you believe this: we ended up with the pickiest eater of a dog. I’m now the world’s most accomplished chopper-upper of hot dogs. There has to be a culinary award in this.

Monday: Ah, Monday. I always feel better about you if I have a salad on deck for dinner. Otto-inspired Italian chopped salad it is (with extra salami, of course).

Tuesday: Soboro beef with rice and broccoli, using this Bon Appétit recipe. Easy, yummy, and not a hot dog. Checks all the boxes!

Wednesday: Thai chicken and rice noodle soup, from my author Jenn of Once Upon a Chef. Because springtime means soup…? I don’t know, I just wanted soup. Welp.

Thursday: Arroz cubano, just like my Yaya makes! Start by packing some white rice into a cup, turn it over, and shake it out to form a little mountain. Then top with whatever kind of tomato sauce you like and a crispy-edged, olive-oil-fried egg. Kids love it; adults love it; dogs better not decide they love it.

Friday: ??? I have no idea. Can we have gin and tonics for dinner?

Cheers!