Why and How to Take a Writing Sabbatical

Happy Monday! I know that’s not a thing, but I so rarely pop in to say hi to you all on Mondays that I couldn’t resist. I hope everyone had a great weekend (we went camping!) and is feeling great about what’s on deck for the week ahead.

you can't rush something you want to last forever quote printable

Personally, I’m feeling fantastic about this week. And that’s because I’m changing up the routine.

I will be taking a blogging sabbatical for several weeks to do some much-needed refocusing and rebalancing.

This September I came back from our wedding and mini-moon blurry-eyed, blinking, wondering what’s next, yet still digging out from the to-dos that were pushed off for a year until after the wedding. We started a lot of sentences this year with “after the wedding,” and now that “after the wedding” has arrived, I feel like I need to shake off the head-down, just-get-it-done fog that’s been over me for much of this year. It’s time to resurface, look around, and get clear-eyed again.

It’s only September, but I’m already wondering where this year went. Maybe you are, too? Maybe you see the colors outside starting to change, but your eyes are pulled back to the computer screen before you can fully register them? Maybe you’re certain you don’t have time to stop and take a walk outside to enjoy the fall air? There’s so much to do, and walking isn’t very productive, right?

I hear you. I’ve spent most of the past year trying to maximize my output, and now that I’m finally over the hump and coasting down the hill, I want to hold on to that feeling a bit longer. I want a little more wind in my hair and a little less hunching over a screen.

a sabbatical break for writers

If you’re feeling that way, too, you might want to consider taking a sabbatical from writing, blogging, or other creative work. A sabbatical can teach you just as much as a work-packed month, and it will allow you to:

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4 Ways Introverts Can Get Comfortable with Video

instagram stories video for writers

But first, the publishing news worth reading this week:

Pete Wells Has His Knives Out (Ian Parker for The New Yorker): This is a fun and fascinating profile of Pete Wells, “the restaurant critic of the Times, who writes a review every week—and who occasionally writes one that creates a national hubbub about class, money, and soup.” It’s a great inside look at the massive influence traditional media still holds, and it’ll also make you hungry.

Instagram Stories: Your New Favorite Way to Engage With Readers? (Martine Ellis for The Write Life): “If Instagram Stories disappear after 24 hours, what’s the point? Authenticity, engagement, and exposure. Unpolished snapshots of someone’s day are far more interesting than a carefully crafted flat lay featuring scattered rose petals and a strategically placed — albeit irrelevant — pair of vintage scissors.”

How to Be Active on Social Media without Losing Your Mind (Kirsten Oliphant on Jane Friedman.com): “The biggest issue I hear from people struggling with online marketing is TIME. Many writers struggle to balance social media and writing or creative work. Since we don’t have the option to go back before the age of Twitter, we are left with a few options…”

Jennifer Egan on Writing, the Trap of Approval, and the Most Important Discipline for Aspiring Writers (Brain Pickings): “You can only write regularly if you’re willing to write badly… Accept bad writing as a way of priming the pump, a warm-up exercise that allows you to write well.”

4 Ways Introverts Can Get Comfortable with Video (And Happy Pub Day to Damn Delicious!)

Hey everyone!

I’m baaaccckkk. After two magical weeks of being away for our wedding and mini-honeymoon, Jarrett and I are both back at it.

First things first: yes, I will be sharing wedding photos with you all here! I’ve had a few requests for them already, and I can’t wait to see them myself the very second they hit my inbox. With any luck, we’ll all see them by next week.

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A Zen Method to Cope With Rejection

Literary agent rejections

The publishing stories worth reading this week: 

Publishing a Cookbook: Editors and Closing Day (Rachel and Polly of Thriving Home): This is a fun one for you! My authors, Polly and Rachel, give a great behind-the-scenes look at what really happens when we’re selling a book at auction. If you’ve ever wondered how a cookbook deal gets made and what happens when many publishers are interested, this is the perfect read for you.

The Effortless Effort of Creativity: Jane Hirshfield on Storytelling, the Art of Concentration, and Difficulty as a Consecrating Force of Creative Attention (Maria Popova of Brain Pickings): “In the wholeheartedness of concentration, world and self begin to cohere. With that state comes an enlarging: of what may be known, what may be felt, what may be done.”

Can Serialized Fiction Convert Binge Watchers Into Binge Readers? (Lynn Neary for NPR): I love this idea of tapping into the popularity of binge watching and bringing it to books, but I’m not sold on the idea that a book = an episode. Actually, I think a chapter = an episode. People are already binge-reading when they can’t put down a book and race through it quickly. If anything, serializing a book (chunking it into sections and releasing them one-by-one) is the opposite of binge-reading, which requires you to have back-to-back access to the whole book/series.

A Key to Writing Books that Sell and Sell and Sell (Chad R. Allen): I’m often asked what the correct balance should be between storytelling and practical information in a nonfiction book–here’s a great explainer on this from Chad Allen!

Collards And Canoodling: How Helen Gurley Brown Promoted Premarital Cooking (Nina Martyris for NPR): “The Single Girl’s Cookbook sold close to 150,000 copies. But how did an editor who couldn’t cook and who described herself as a ‘grown-up anorexic’ end up writing a cookbook? She didn’t. The recipes were ghost written by cookbook author Margot Reiman. Gurley Brown simply added the garnish.”

 

A Zen Method to Handle Rejection

Literary agent rejections

Do you know the one thing I hate about my job? I hate writing rejections. I hate it, hate it, hate it. Please have me do anything else, including contract review, as long as I don’t have to say “no” to someone’s hard work.

The very thought of writing rejections makes me miserable. Because I know how hard some people take them—I see it with my own authors. I see the self-doubt and blame that springs up around a “no, thank you,” and I hate the very thought of afflicting that on someone else.

But I do it. And I do it because I believe in one thing: the best yes. Every time I say no to something that’s near-perfect for me, I’m saving room on my list for that project that’s 100% perfect for me. And I’m protecting my time for my authors, who deserve to have me there for everything they need.

That’s also how editors see it. That’s how sales, publicity, marketing, and everyone else who weighs in on an acquisitions decision sees it. We can only make magic when the very thought of a book makes us come alive. Otherwise, we’re doing a disservice to the author and the reading public by putting something out into the world that we’re only somewhat excited about.

And here’s a secret: Everyone in this industry gets rejected. It’s not just writers, I promise! An editor can have a book she loves rejected by her team. A marketing manager can have her new ad campaign denied from on high. A publicist can get hundreds of rejections (usually in the form of silence) from a press mailing. Agents and authors can get rejected by editors, and editors can get rejected by agents and authors.

There are thousands of things that can go wrong or get blocked by anyone along the entire acquisitions chain. Rejection is in the undercurrent of any media industry, and it’s the cardinal rule for anyone who creates and shares their work: you will get rejected. You’ll get stomped on; you’ll get battered; you’ll get tough.

Yet too many people let these disappointments destroy them. So let me say it now: I’m not going to let that happen to you. I’ve coached dozens of authors through rejections, and I know that how they handle it is what separates the career writers from the hobbyists.

If you’re serious about your work, you know there’s no Plan B to fall back on, no other career that will be good enough. The only way onward is through the wilderness of rejection. Here’s how I would coach you through each step along the way:

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A 2-Minute Retreat for Writers

guided meditation for writers with anxiety

But first, the publishing stories worth reading this week:

6 Strategies for Getting Your Book Published (Chad R. Allen): This is a must-read post for nonfiction writers. Because it’s true: there is a very set, step-by-step formula for getting a book deal. That’s not to say the steps are easy, but if you stick with it and follow Chad’s advice, you will see agents and editors come a’knockin’!

20 Signs You’re the Biggest Book Nerd in Your Friend Group (Jen Harper on BarnesandNoble.com): “So you think you may be the biggest book nerd in your squad? We’re here to help you confirm it.” I have to say, none of these applied to me. I also have to say: that’s a complete and utter lie. I am guilty, guilty, guilty.

The Top 4 Secrets to Keep Book Sales High Post-Launch (Chad Cannon): “One of the biggest misbeliefs I see in the publishing world is that you can push a book into the marketplace with an awesome launch plan…and then just call it done. The reality? Marketing is never done.”

100 Must-Read Books About Books (Margaret Aldrich for Book Riot): If you love to read books about books (me, me, me!), you need this list. And if you’re fascinated by design and book covers, take a peek, too. Do you see how the cover and title for The Readers of Broken Wheel Recommend is so similar to the cover and title of the big bestseller in the category, The Guernsey Literary and Potato Peel Society? THAT is how you signal to readers that if they liked that book, they’ll like this one, too. And it works. Broken Wheel was just added to my to-read list.

Everyone’s Getting Into Video. Should You? (Jane Friedman on Writer Unboxed): “Unless you’ve been garreted away working on the Great American Novel—and maybe you have!—you’ve probably noticed that video is becoming a big deal…As a writer, should you care? And if you’re interested, what’s next?”

A Two-Minute Retreat for Writers (& A Book Deal Announcement!)

meditation for writers and bloggers with anxiety

A writer’s life is filled with anxieties. Really, the life of anyone who puts their work out into the world is filled with anxieties. Will people like it? Is it any good? Will it succeed? Will it have impact? Should you shred it right now because, oh wow, this is terrible?

I’m a firm believer that 80% of the creative battle is won in the mind. I see it all the time—the most successful authors have fought those show-up-and-just-do-it battles early in their careers, and they’ve made peace with the fact that their work isn’t for everyone.

Even some of my sweetest, softest-hearted authors will laugh about how you can’t please everyone on the Internet. And if you can’t please the Internet masses, you sure as heck can’t please everyone in publishing.

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